Aishling Morgan is an extremely versatile (and prolific!) writer of literary erotica, and a great favourite of mine. Her (or should that be his? I don’t think so) novels are set in a range of different times and places and over the years I have read most of them, but the two that stand out in my mind are Deep Blue and Purity. I’ll come back to Purity another day.
Deep Blue is set in a seaside resort in the south-west of England. It is summer. The weather is fine and the town is full of visitors, there simply for the sun and the sea. But the hill overlooking the town is an archaeological site, a barrow reputed to be the temple of an ancient octopus god, the Celtic “Sigodin-Yth”, pre-Celtic “Txcalin”. This of course attracts a quite different type of visitor, such as the group of academics, professional archaeologists, there to reopen the barrow for the first time in more than a hundred years, and the “new-age weirdos” intoxicated by the octopus god mythology (among other things) who plan to have a great party on the hill.
Nothing special there, just a nice setting.
However, the dramatis personae are something special, and include, roughly in order of appearance, a peeping-tom named Joe, with whom the book opens and – as it happens – closes; a shop-keeper called Mr Hobbers, who dreams of spanking girls’ bottoms; a strange girl with bright green eyes called Tammy, oddly old-fashioned in her way of speaking and in some of her attitudes, not at all old-fashioned in the way she dresses and behaves; two sadistic uniformed bullies, one of them, Ed, a customs officer, the other a policeman; Lily, a young archaeologist with a submissive soul and masochistic body; Nich, the charismatic leader of a group of pagans; Violet and Yasmin, tattooed, pierced and gorgeous new-agers who are, predictably, devotees of Nich, both in and out of bed; and two other green-eyed beauties like old-fashioned Tammy: playful – and spiteful – little Elune, and stately Juliana.
In this book everyone’s dreams come true, be they fantasies or nightmares, for beneath its veneer of respectability the town is a seething riot of sex . Perhaps that is the norm in a quiet little English seaside town (or a Welsh one come to that – have another look at Dylan Thomas’ Under Milk Wood). Or do the weird dreams that some of the girls like Lily and Violet are having, and the presence of Tammy, Elune and Juliana in the town at just this time, point to something other, something totally out of this world we think we know so well?
Read this book and you will never be able to visit a small seaside town again without remembering it and looking twice at the men and women who pass you in the High Street and along the Promenade, and three times – or more – at girls who come up out of the sea where no girl went in.